Moviezz

Overview:

Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.

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A team of volunteer doctors and nurses are on board a unique ship. Crammed with medical supplies and volunteer medics, this floating hospital sails to the poorest nations on earth. This year they sail for Guinea on the West African Coast. On arrival they will face the most severe of medical issues, not seen in other parts of the world. But the medical challenges are only half of the story. They will confront ethical decisions as they decide who will be helped and who will not. This is a searing, complex journey for the volunteer medics, as they deal with life and death cases - and balance the fates of these patients in their hands.

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Out of Darkness is a full length three-part documentary by director Amadeuz Christ (Δ+), examining the untold history of African people, the African cultural contribution to the nations of the world, and the events that have contributed to the condition of African people today. Out of Darkness will explore the Nubian/Kushitic origins of Nile Valley Civilization, contact between Africa and the Americas since the times of antiquity, as well as the influence of the Moors in Europe leading to Europe’s intellectual Renaissance. In addition, the film will analyze the history of modern day racism, the concept of “white supremacy,” the impact of Hip Hop as a social movement, and the idea of nationhood. Out of Darkness is narrated by Prof. Kaba Kamene and co-stars Dr. Umar Johnson, Dr. Claud Anderson, Tim Wise, Prof. James Small, Dr. Joy DeGruy, Anthony Browder, Sabir Bey, Atlantis Browder, and Taj Tarik Bey.

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Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.

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Because jazz is the miraculous product of the horror of slavery, Youssou N'Dour returned to the slave route and the music they created, in search of new inspiration. Accompanied by the blind Swiss pianist Moncef Genoud and the Director of the Gorée House of Slaves Museum, Joseph N'Diaye, the Senegalese singer wrote new songs during this initiatory voyage which took him to the USA then to Europe. At Gorée, an island just off the Senegalese coast and symbol of the slave trade, his memorable concert marked the end of this quest and the start of a new challenge: making today's generation aware of the tragedy of slavery, the importance of not forgetting and the need for reconciliation.

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An educational documentary spanning two continents, opening up a much-needed debate about traditional African spiritual systems; their cosmologies, ideologies and underlying ethical principles. Modern science no longer refutes the origins of mankind being in Africa and similarities in the cosmological ideologies of African esoteric systems with those found many established world religions today, suggest that it was not only people that migrated, but also concepts and themes that then provided bedrock for the formation of other systems of belief.

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The life of a runaway slave who founded the Quilombo dos Palmares, an outlaw community of Brazilian slaves.

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Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

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The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.

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Four young people from Tanzania and Cameroon complete a year of weltwärts voluntary service in Germany. For each of them, it is their first visit in Europe. The film follows the volunteers throughout their year of service, it expresses different expectations, enthusiasm, goals and challenges. The volunteers describe subjectively their personal experiences as well as their view of Germany. The documentary is a thoughtful and exciting vision of the exchange program seen by four young people.