In 1966 Jean-Luc Godard was approached by producer Georges de Beauregard, who said that he had some money he needed to spend and asked if Godard could make a film on very short notice. Godard said sure, and proposed adapting a pulp crime novel (Donald E. Westlake's "The Jugger"). But when Godard made the film, which would get the title Made in U.S.A., he did everything possible to break out of a straightforward adaptation, using the novel as a mere skeleton over whic...