Moviezz

Overview:

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Overview:

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

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Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

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While gun violence was on the decline in most major US cities, why did it continue to increase in Chicago's segregated communities? What is known about the systems that created the problem, the laws that isolated it, and the policies that abandoned it? Using dramatic footage, including interviews with residents on the front lines over the last 15 years, this documentary opens a rare historical window into the systematic creation of poverty stricken communities plagued by gun violence. 

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More than a decade after the release of the revolutionary skateboarding film The End, Birdhouse comes full circle with a monumental release of cinematic majesty titled The Beginning.

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Documentary exploring body dysmorphic disorder, a condition which causes people to believe they are extremely ugly. The film follows 29-year-old Liane and her boyfriend Mitch over a year as Liane starts therapy to try and conquer this crippling condition. Each week Liane meets Professor David Veale, one of the world's leading experts on BDD, who attempts to undo some of her deeply entrenched habits, often leading to uncomfortable and revealing realisations. The documentary also hears from a range of people who are in recovery from BDD talking movingly about their own personal experiences helps illuminate Liane's journey and reveals more about this illness.

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Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

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Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

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Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.

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A tour of the exotic locations of 'Goldfinger'.