Moviezz

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Horror films dominated the cultural conversation in 2017. From the surprise hit “Get Out” to the movie adaption of “It” to the campy “Happy Death Day,” scary movies had an unusual hold on the collective imagination during that year. Maybe it's because reality was pretty horrifying, too. To punctuate the end of a hair-raising year, The New York Times Magazine asked ten actors who gave the best performances to play a series of eerie roles.

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A man tries to get a good night's sleep, but is disturbed by a giant spider that leaps onto his bed, and a battle ensues in hilarious comic fashion.

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Garfield the cat daydreams that he's an old-time private detective.

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The old shell game gets a new face as Donald stays off-base past "Taps" and has to try to sneak back in with out alerting Pete.

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Based on an incident in the life of Beat icon Neal Cassady and his wife, the painter Carolyn, the film tells the story of a railway brakeman whose wife invites a respected bishop over for dinner. However, the brakeman's Bohemian friends crash the party, with comic results. Pull My Daisy is a film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of his play, Beat Generation; Kerouac also provided improvised narration.

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Elmer Fudd attends a musical concert, only to find it's Daffy Duck performing a song about escaping hunters, and Elmer is unable to contain himself, donning his hunting gear and chasing the duck as he finishes his song.

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The Robot Chicken Christmas Special has Santa nearly missing Christmas; Kano from Mortal Kombat shares the holidays with Mrs. Cage; Justin Bieber's new song is bound to be a Christmas hit.

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A girl is desperate to get to Washington D.C. to be with her lonesome brother, a wounded G.I. She persuades Bing Crosby to let her join his caravan.

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Pluto is in the infantry guarding a pillbox from saboteurs.

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While embarking on a blind date, Scott finds himself face to face with several potential hook ups and discovers that beauty truly is in the eye of the beholder.