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Three stories. 'Rainha do Fliper' (Pinball's Queen) Reginéia is the pinball's queen, exploited by her pimp Giba. Out of the blue, her former boyfriend Tenório comes to the arcade place seeking out Reginéia. 'Uma Aula de Sanfona' (One Class of Accordion) Bank clerk Nanci and her friend Cristina have come from Ribeirão Preto and share an apartment in São Paulo. Nanci has an argument with her lover Valdemar, and goes to her room blaming her upset on the accordian lessons that her neighbor, Durval Pereira, is giving on the floor above, but what is his secret? 'Belinha, a Virgem' (Belinha, the Virgin) The wedding day of the virgin, Belinha is rapidly approaching,. But the wedding is against the will of her fiancé's mother. When her future mother-in-law asks the parochial priest to check whether Belinha is virgin or not, the girl uses her sculptural body to resolve the situation.

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A documentary on the life and work of Amácio Mazzaropi, a phenomenon of popularity and profitability of Brazilian cinema.

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On the eve of the premiere of a theatrical superproduction in the city of São Paulo, the assembly team performs the last dress rehearsal. But, mysteriously, the four leading actresses are poisoned. Now, the police will investigate each person related to the play to find out who caused the tragedy.

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After his wife leaves him, Júlio starts an affair with his secretary.

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Pirola is a poor guy who lives with his son Ze in a hovel on his boss's farm. One day, Pirola is surprised by the visit of an old friend who, feeling that the hour of his death approaches, decides to present him with a bag full of money.

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Transposition of the myth of Faust to modern Brazil. The heir to a bankrupt cigarette factory, amidst a personal crisis, leaves everything behind and heads for a supposed paradise he has seen in a tourist agency, where he believes he could find self-knowledge. In his search, he is inspired by a Mephisto-like character.

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An unemployed radio worker obsessed with suicide meets a rich brat.

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A travelogue through the remains of São Paulo failing 80s economy, including its in ruins film industry.

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50 years of Brazilian history seen from the point of view of a friendship among two intellectuals.

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Follows the relationship between two couples: An unemployed professor, Fernando, sustained by his factory worker girlfriend Rita, and sexist and reactionary Luís Carlos and inexperient Lilita.

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A professional photographer specialized in nude pictures dreams of respectability and the beautiful college student next window.

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Psychiatrist lends her country house to patient, expecting she would repose. But she meets a neurotic former lover, and the psychiatrist gets so involved in the couple's problems that she ends up getting dependent of them.

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A travelogue film using Pound's concept of invention as a starting point.

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Two factory workers decide to spend all of their pay on a Saturday night with two prostitutes, but things don't go as planned.

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Through a historical-affective reconstruction of the Boca do Lixo region, in São Paulo, the documentary aims to investigate what was the cultural, social and geographic impact that the cinema made there had for the city and for the country during the from the 1960s to the 1980s.

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Maria, a countrywoman, leaves for São Paulo, where she becomes an industrialist's lover and meets all kind of people but, dissatisfied, she returns to the country to meet her family again.

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Young Daniel is dying to lose his virginity, but his love life is completely messed up. His father, seeing this, invites a cousin from São Paulo to help his son become a stallion. However, the cousin's arrival only ignites the boy's fire, who can't even see the beach girls.

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Documentary about the trajectory of Antônio Polo Galante, known as "The King of Boca". The film maps work and forms of production in Boca do Lixo, popular area in Luz neighborhood located downtown São Paulo, where usually night clubs and sexual services establishments were located.

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A film about Maurice Legeard who run a cineclub in Santos.

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Experimental documentary short that debates over Rogério Sganzerla's Brazilian cult classic "The Red Light Bandit".

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