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Overview:

This appears to be a labor of love. Its about a village which is given the opportunity to put on a musical. They would have to pay the overhead and, being that they are farmers and always busy and not rich, question the wisdom and feasibility of such an idea. A spokesperson for the acting troupe Ms. Kono lays out the whole thing and they must decide. You get little slices of rural life in Japan far, at least in sentiment, from Tokyo. The best thing about this film is that it has heart. The acting is good, but it is really about the simple storyline of outing on a show. Films rarely get made with such simplistic plots these days. Enjoy this little slice of what city people call “the simple life”.

Overview:

A Japanese racing driver for Nissan named Godai (Yujiro Ishihara) have a rivalry with a French driver named Pierre (Jean-Claude Drouot). Godai is enlisted to race in an annual endurance race, The East African Safari Rally. Peripheral to this is the story concerning Godai's former lover Yuko (Ruriko Asaoka), a fashion designer, and her friend Anna (Emmanuel Riva), who happens to be Pierre's wife.

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Based on the life of Hyakken Uchida, a Japanese author and academic. The film opens with Uchida resigning his job as a German professor at the onset of WWII. The story is told mostly in vignettes as he is cared for by former students in his old age.

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In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.

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Set during the declining years of the Tokugawa shogunate, Shadow Hunters details the questionably noble exploits of three ronin who act as "Shadow Hunters". These three ronin are not your normal ornery ruffians who are looking for a drink, a broad and someone to jab a sword into, but are in fact former samurai who, rather than follow their destroyed fiefs and murdered masters into death via seppuku, have dedicated their combined sword prowess to stopping the government from raping its daimyos for valuable resources.

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Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.

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Set in 19th Century Japan a young samurai who finds himself in love with a farm girl leaves his home to begin a new life. He has to take stock of his new life when he is put to the test and ordered to kill a traitor who just happens to be his dearest friend.

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The story is about a convict released from prison for an old murder who is thinking about returning to his ex-wife and his former life. If she puts a yellow handkerchief on the window, it would mean that she wants him back at home.

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Tora-san returns to his family's home to attend an elementary school class reunion. After he embarrasses himself by getting drunk and insulting all his ex-classmates, he resumes his travels. In Kyushu he meets an outspoken 18-year-old girl who becomes enamored of Tora-san and follows him around. One of Tora-san's old friends is terminally ill and makes Tora-san promise him to marry his wife once he is gone.

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Tora-san visits brother-in-law Hiroshi's hometown to attend a memorial service for his late father. When the local temple priest becomes intoxicated, Tora-san wearing the priest's robe delivers the memorial speech, much to his family's surprise. Thinking he's found his true calling, Tora-san decides to join the order, and falls for the priest's divorced daughter.

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The quiet life of a mother and her young son living on a farm in Hokkaido is changed by the arrival of a man who ignites flames of romance in the heart of the mother and shows her boy the importance of grit and kindness, but then he leaves with the autumn wind.

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Tora-san returns to his family home to learn that his brother-in-law cannot go to Mitsuo's (Tora-san's nephew) athletic event. Tora-san volunteers to take his place, but gets into an argument with his brother-in-law's boss and returns to the road. He meets a young woman in Niigata who, unbeknownst to him, is a popular enka singer.

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When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.

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In Shibamata, Tokyo, Tora-san's family prepares for a wedding. Meanwhile, the traveling Tora-san meets an old acqaintance in Iwate Province. Tora-san refuses to drink with him, afraid that the acquaintance, now settled and married, will again become attracted to Tora-san's wandering existence. Tora-san becomes attracted to a female barber, but must break off their relationship so that she too can live a secure life. She instead gets into an abusive relationship with a motorcyclist.

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Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

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Following the journey of a caterpillar along the Japanese islands from Nagasaki to Hokkaido, this allegorical and oblique first feature film by Kuroki depicts in exquisite images a series of encounters and life's turning points.

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Tora-san befriends the descendant of a feudal lord. The man asks Tora to locate his deceased son's wife who resides somewhere in Tokyo.

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A great famine struck all of Japan: the so-called Great Tenpō famine. It was a time when there were frequent uprisings in rural areas due to farmers losing their land as a result of strict tax collection. The Tonegawa area of ​​Boso was a lawless area for a generation, as two major forces fought against each other: Sukegoro of Iioka, who wields power with his industrial capital behind him, and Shigezo of Sasakawa, a rising yakuza. Furthermore, the successive floods of the Tone River, which could be called fate, forced the farmers into even more poverty and despair. Meanwhile, farmers in Nabe Village continue to live a lethargic life, but agricultural reform is about to begin under the hands of Yugaku Ohara, a ronin who has settled in the village.

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Tora-san leaves Shibamata once again after an argument with his family and finds himself at an inn where he meets Tomekichi, a young man who looks up to Tora-san.

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Tora-san's opinions about Americans get challenged when another wandering peddler Michael Jordan stops by Shibamata.

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Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

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During his travels, Tora-san comes across a traditional theater he used to visit, and discovers that one of his old friends has died. Tora-san and his family help the friend's daughter, who becomes romantically involved with an aspiring artist.

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When Tora-san's infatuation with his nephew's school teacher causes family turmoil, he leaves on his travels again. When he returns, he falls in love with the teacher's mother.

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A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.

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After a friend and business colleague dies, Tora-san visits the man's daughter, then takes her to Tokyo so she can study for a night school exam.

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During his wandering throughout Japan, Tora-san meets a suicidal man. He travels with the man to Vienna, but winds up homesick for Japan.

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The story depicts the process of a happy family being destroyed by someone taking advantage of a traffic accident caused by buying a car to show off to the neighbors.

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Tora-san arrives in Shibamata on Mitsuo's first day of school only to find that on his account, Mitsuo was embarrassed. After a fight with his family, he goes to a bar to drink, then brings home a surly old man with a sad story, whose identity will surprise everyone. Later, Tora meets Botan, a geisha.

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Tora-san becomes friends with Toraya's newest tenant, a pachinko-playing electrician that goes by the nickname Watt. Tora attempts to match Watt with a young waitress.