Overview:

Buniyaad is an Indian television drama-series that was directed by Ramesh Sippy and Jyoti Sarup. The series was written by Manohar Shyam Joshi and dealt with the Partition of India in 1947 and its aftermath. Buniyaad first aired in 1986 on the Indian state television channel DD National, which is owned and operated by Doordarshan network. It was re-aired on DD Metro in early 2000s. It has since been re-aired a number of times on various new Indian private television channels, such as Sahara One. From 25 July 2013, it will be re-aired on DD National every Thursday at 20:30 hrs. It was first aired on TV 27 years ago in 1986.

Overview:

Arjun Yadav return from the city after completing his studies to get settled in his village with his family consisting of his mother Devi Chaudaran, his older brother Amrit and sister. Arjun finds out that Amrit and Thakur Bhanwar Singh does not get along quiet well and attempts to be a peace-maker between the two. One day situation takes a turn for the worse when Amrit is killed, Devi Chaudaran loses her senses, Arjun's sister is raped and he himself is beaten and tied to a tree. Arjun is then rescued by some sympathetic villagers and run off with his childhood friend Makan Malla in the deep ravines only to turn an outlaw whose only motive is to avenge the killings of his family members.

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After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna is sent to a traveling circus to earn money to pay for the bike's repairs, but soon winds up in the streets of Bombay's poorest slums. There, he befriends the drug dealer Chillum and young prostitute Sola Saal, while trying to make enough money at a neighborhood tea stall to repay his debt to his family.

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The denizens of a brothel deal with internal drama, as well as pressure from greedy land developers and an anti-sex work politician to leave town.

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Karan Khanna is an orphan and a captain in the Rajputana Armed Forces. He's madly in love with beautiful model Nisha, with whom he plans to tie the knot during his next leave.

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Set in 1961 Goa, this is a story of a rich and influential Goan family and what happens to them over a period of time. The movie is narrated in past-tense by one of the friends of the family.

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A young man decides to be a film director against the wishes of his family. Even after witnessing his father's downfall in the film industry, he doesn't give up on his dream. His love interest further separates him from the family. Without losing hope, he goes on to direct his autobiographical film 'Aathmakatha'. Will the success of the film reunite him with his lost soul and family?

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A story about the "Ikat" handloom weavers of Pochampally through the master weaver Ramulu and his family struggle in time of mass-production.

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Binni lacks self-confidence and is annoyed by the constant unsolicited advice from her family. However, her life takes a turn when she meets a magician.

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Aadharshila portrays the struggles of young people - especially graduates of the Film and Television Institute of India - to find a foothold in the Indian film industry. The film ends with the completion of the film-within-a-film.

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Om, an adolescent boy living in an Indian village, is good at only one thing: holding his breath for a long time. His father Babuji left his government job to dedicate his time to astrology. Fascinated with magic and religion, Om visits a fantasy city and takes a home close to a frog pond.

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The protagonist is a young man staying in a city. He is sensitive, melancholy and a dreamer. He is unable to communicate his feelings to the woman he loves. Everything seems to have been entangled in a mesh, irrespective of these characters. He cannot even differentiate between his capability to love and his passionate desires which have been repressed. That is how he is confused and with his ideals and morality he is living outside his own time and inevitably suffering. His self criticism is endless. He dreams about whatever he lacks and about his ideals. The dreams have led him to the domain of non-communication. His repressed passion along with his self criticism has made him bored with life. Now at every point he expects something exceptional.

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In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

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A soldier faces dishonor when he tries to protect a woman.

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A story about the director's first true love, and the truer rejection. A man and a woman meet after years. Both have moved on, and yet the past lingers, enticing one with its tale of an unsullied longing, on a lonesome day that held a slow drizzle, at the soggy bus stop.