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Morangos com Açúcar was a Portuguese Teen drama. It was broadcast daily on the Portuguese TV station TVI between 30 August 2003 to 15 September 2012. It has also been broadcast in Angola, Syria, Brazil and Romania.

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Two twins live together and lead a slightly surreal life, annoying their snobby next-door neighbor and getting into frequent trouble with the local constable.

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Despite the hardship, there are those who fight and overcome... Marta is a single mother and a humble woman who’s doing her best to offer her two daughters, Susana e Beatriz, a good life. But when she finds out that her younger daughter has a rare and serious condition, everything changes in this family’s life. Susana decides to seek out Rodrigo, the child´s father and a wealthy man who can afford to pay the much needed surgery abroad. Even though he didn't even know he had a daughter, Rodrigo accepts to pay for the surgery on the condition that he’s granted custody. Marta is then faced with the greatest dilemma in her life: in order to save his daughter, she’ll have to give her up. Rodrigo will end up using Beatriz in an elaborate ploy to get closer to Marta. However, his cousin Gabriel’s return to Portugal will make things difficult for him, as Gabriel will fall in love with Marta, thus turning into Rodrigo's rival.

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The story chronicles the life of Portuguese entrepreneur Rui Nabeiro, founder of Delta Cafés, set against the backdrop of his hometown, Campo Maior.

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Raul Vasconcelos and Helena Brito founded a partnership over 20 years ago and has over a hundred lawyers in its service. Raul has an ego as big as the world and it was that self-assuredness that made him notorious in the courtroom. Besides being an astute lawyer, he’s a hopeless playboy who with age developed the tendency to say and do whatever he feels like. His trouble is that he’s constantly abusing that privilege. Helena is a confident woman, albeit more discreet and concerned about the firm's public perception, constantly considering how her actions might negatively affect the partnership and its bottom line. Her personality led her to take over managing the firm, taking care of all bureaucratic affairs. Other lawyers stand out in the firm, as is the case of Pedro Pimentel, who just made senior partner. He’s impeccably put together and has a smile that wins over most women, but behind this agreeable façade of his there’s a person with a lust for power and fame.

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Maria da Luz is almost blind. She's been waiting for cataract surgery for 3 years. António, an old fisherman, takes care of her, hiding the secret of an old love. Miguel, a mysterious boy, wanders through the city, watching daily for Maria's house. Luís, the mayor, seeks to solve the problem of hundreds of people with cataracts in the Municipality. Ana, Maria's daughter visits her mother. Despite their misfortune, they seek to redeem themselves under the eyes of António and Miguel. Maria da Luz is not alone.

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This short film is based upon a book of tales "Exemplary Crimes" by Max Aub who, in his turn, was inspired by real testimonies that describe crimes straightforwardly. The Testimonies are individual confessions by different persons that have nothing in common but the fact that all committed murder.

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Her mother has just died. Her father is not what she had thought. Caught between an uncertain past, which she knows only through the photographs her mother has left behind, and the prospect of a marriage that she does not really want, Elisa sets out to discover the truth. But will she recognize it when she finds it?

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The relationship between António and Ruth ends unexpectedly when Ruth decides to live with Pedro, António's best friend. António doesn't fight back and lets himself drown. From the woods come Violeta and Gaspar, two strange beings, a mixture of fairies, demons and guardian angels, who help António overcome his depression. With the thunders the two characters return to their domains. And life goes on.

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A bad luck that should never have happened, sends Rodrigo into a coma that lasts five years. And when he wakes up, after so long haunted by the image of the woman who shot him at close range, he realizes that life has not stopped waiting for him, without realizing that everyone is lying to him. And that your best friend is getting ready to get you into trouble again.

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Forty years later six ex-fighters, that had been together in the War in Africa, keep meeting. They know that, during those meetings, talking about the War is therapy to exorcize nightmares and ghosts. What keeps them alive is what destroyed them: Memories. Life has never been the same. They had twenty two years old when they met at the War. Time has stopped there. Today, they only exist when they are together.

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The Bodiless Woman is an intervention film about the violence perpetuation and, above all, about the victim’s dignity and her deliverance.

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Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.

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Dawn is breaking into day. Fair day. As in every year. But this is a year of mourning. "It doesn't look right!" Vera says to her sister. And her mother-in-law looks at her and remembers the dead son. Remembrance is a silence between the two of them. Children's voices come from outside. Lucia wants to go to the fair with her uncle and cousin. "You promised!" claims the daughter. Vera consents in letting her go. Lucia waves her hand as the tractor drives away. Chance, once again. An accident. Death, always so close, so alive.

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West, end of the summer. Laura works at the pear harvesting, a family business. During the afternoon, Carol arrives at the village to spend a few vacation days with her friends. That night, when Laura catches them stealing pears from one of her father’s orchards, her friend confronts her about her true intent.

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Emilia is a writer, living in Lisbon in the year 1959. She is the “Damsel Warrior”, a fictional woman composed from the literary universes of Maria Judite de Carvalho and Irene Lisboa, writers of the city and the characters that inhabit it.

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A trainee apprentice meets a girl during the crossing the Tagus crossing and they live an adventure of suspicious smiles, misunderstood sentences and occasional robberies.