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Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

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A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

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In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.

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A scandal erupts in Brazil during an investigation of alleged government corruption via oil and construction companies. Loosely inspired by true events.

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The couple Laura and Israël have a five-year-old son, Lucas. They live together but seem to have lost interest in one another's thoughts and cares. Their relationship seems headed for the rocks, and the only one who seems to still be looking for something from life is Lucas.

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On December 19th, 1983, the dream was taken away. The most coveted trophy of all time, the Jules Rimet Cup disappeared from the headquarters of CBF, the Brazilian Football Association. Let me explain: every 4 years FIFA holds a Football World Cup. Back then, only a country that won the Cup three times could keep the trophy for good. This privilege was reserved to Brazil when they won for the 3rd time in 1970. The beautiful trophy was kept as a symbol of superiority in the headquarters of CBF, in Rio de Janeiro. “Jules and Dolores” is a pop comedy that tell us the real, preposterous and unusual story behind this theft.

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Recently divorced, Roberta is living her best life, until she discovers that someone has turned her biggest secret into the plot of a soap opera — where she is the villain.

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Selminha is a lower-class woman who receives a family inheritance, but only if she meets the challenge of spending 30 million reais in 30 days, without accumulating anything. However, in this marathon, she will find out that there are things that money does not buy.

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COPA 181 is the first feature film by Brazilian director Dannon Lacerda. It is a 100% independent production that deals with the relationship of a couple that is affected by the events in a gay sauna. Awarded in several festivals in Brazil and in other countries, the director had the premiere of his film at the Rio de Janeiro International Film Festival in October 2017.

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In the dark side of Rio de Janeiro, vampires deal vampire powder, which provides its users with a small taste of immortality. They work for Limbo Corporation, a company dedicated to the shady business, whose CEO is Limboman. Vlak and Michele reign supreme in the city. But Vlak has a restless spirit and decides to yank from his gums the fang chip through which he is monitored by Limboman. He has a mental blackout and starts to roam the city streets. Michele, searching for a new partner, meets Draco, a decadent vampire and former nemesis of Vlak. Their meeting encourages Draco to go back to the streets where he meets Daphne, a ripper psychopath who attacks her victims with a chainsaw. Draco joins her to find Vlak and avenge himself. Vlak, however, is abducted by Wang Su, a Chinese woman that is ruling the underworld in Rio. Wang Su wants to use Vlak to defeat Limboman and take over the command of the shady business.

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It's the second wave of the COVID pandemic in Rio de Janeiro. There's no water in Madá's old mansion, a sewing cooperative where sheltered LGBTQI+ young people live and work. Renê, one of the residents, paints the anguish of a mysterious spirit that haunts the shelter through the plumbing. Across town, a loner middle-aged plumber, Ismael, is tormented by the same curse.

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A runaway runs out of time to save his life. But it depends on the butchers...

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Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.

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Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.

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Get ready for the fifth volume of an incredible gay short film series! Male Shorts: International V5 features four brand-new short films focusing on gay, bi and generally curious men from around the globe. Iceberg takes place in Rio de Janeiro during the pandemic and follows two men who are haunted by the same mysterious spirit which seems to inhabit their plumbing. In Xavier, a young man uses his cell phone to come out to the world, his father and his best friend and crush all at once. The visually inventive Dreams concerns a documentary filmmaker who with his camera so that he can capture the dreams he has at night. Finally, It's Just Another Day follows Gabriele, who is torn between taking care of his sick father or running away to Rome with the man he loves. The 4 short films are: Dreams [Sonhos] (2022); It's Just Another Day [È solo un altro giorno] (2022); Xavier and Miguel [Xavier e Miguel] (2022); Iceberg (2022).

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1970. Brazilian Military Dictatorial Government. Georgia, a 8 year-old girl, is intrigued: one day, her play room appears locked. Away from the sight of her parents and her elderly nanny, Georgia gets to open the door: someone is inside.

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"For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation." Rainer Maria Rilke.

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A life together and many lost dreams. Caio and Jane now say goodbye.

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Pedro's return to his hometown brings back memories of his childhood with his cousin Ari and their close and affective relationship with local cinema.