Overview:

Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

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The Danish national police branch PET is in charge of personal protection, mainly of politicians and royal family. That also involves preventive work concerning terrorism, stalking etcetera. Meanwhile several team members must keep op top of personal concerns, such as ethnic background-related concerns and relational troubles at home.

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Zip code 2900 equals wealth, power and beauty. They got it all but what is the price.

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Markus returns home to care for his daughter when his wife dies in a tragic train accident. However, when a survivor of the wreck surfaces and claims foul play, Markus suspects his wife was murdered and embarks on a mission to find those responsible.

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Henrik is young and in love and moves with his girlfriend Anne into a commune in the countryside. It is the dawn of the 70's, a time to challenge authority and experiment with relationships. Henrik is challenged too: His role as a man is exhibited and discussed, he has to learn how to sew, to sleep in the group bedroom, to share his inheritance with the commune and his beloved Anne with a lesbian.

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A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

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In the old days, things were different. Art, too. It assembled and passed on human experience and knowledge. But in today's Denmark, something else is wanted from art. It has to experiment and break new ground. It is almost a political requirement. The more conventional the politics, the harsher the politically correct requirements for the artist. Sliced up, rotting pigs are not enough anymore! Art must move on. But how can the poor artist surpass his predecessors and become a success?