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NHK's 102nd morning drama depicts the life of a famous composer. Koyama Yuichi with his wife Oto. They meet each other through music and overcome hardships together. Yuichi composes songs that became "Yells" for people all over Japan in the Showa Era (1926-1989) in which radical changes were going on.　

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Satoshi Itomura is an assistant police investigator who belongs to the Metropolitan Police Department’s Scientific Investigation Team. Reenactments, fingerprint and voice data collections, profiling... His team collects scientific evidence and pieces together fragments of information in order to help build evidences. However, Itomura often does not care about the scientific approach and instead pays a great deal of attention to the things that the victims always carried with them or treasured. And he focuses on these things because they usually carry the victim’s dying wishes, understanding that last message not only helps solve the cases but also brings closure to the depressed family of victims.

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Bem, Bela, and Belo are not "monsters," nor "humans," but "humanoid monsters." They usually disguise themselves as a human family living together, but their appearances transform into ugly monsters when their emotions become uncontrollable due to intense anger or extreme sorrow. Even if they save humans out of a sense of justice, they are feared and hated by humans just because they are humanoid monsters. They have lived in this manner for centuries, and their only wish is to become humans as soon as possible. One night, Bem saves a man, and becomes friends with detective Natsume. At Natsume's house, he finds a photo of a man who may hold a clue as to how to become humans. They go to meet the man, Ogata, who denies any knowledge and disappoints them. Meanwhile, the case of the man Bem had saved, rapidly unfolds, and Natsume finds himself in trouble. Can Bem save Natsume?! Will Bem and his sidekicks' dream come true?!

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Riders on a commuter train get an earthquake warning on their cellphones. Cars lurch as electric sparks fly, people are thrown about and the lights go out. Train 5 passengers awake to find that they are no longer in a tunnel, and overgrown brush can be seen through the windows. People slide open the doors and find that the train tracks end suddenly ahead and behind the car. People's reactions to losing the modern world vary from confusion to alarm to indifference. Where or when are they? Can they survive in this wilderness?

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Kishibe Midori (Ikeda Elaiza), an editor for a popular fashion magazine, finds herself transferring to the lexicography division following the magazine's discontinuation. The place is filled with a group of quirky characters, led by Majime Mitsuya (Noda Yojiro), a boss with a shaggy hair who is extremely serious. While being tossed about by them, Midori is influenced by their patience and passion for making a dictionary which takes over a decade, and she gradually immerses herself in the work. This drama depicts their struggles in creating and finalizing the dictionary, "The Great Passage."

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Aoi Midori is a pharmacist and in the 8-year span of her career, she has worked according to her strong belief that "One must know the patient well in order to prescribe the correct medication as medicine is the bond that connects the patient's today to his/her daily life henceforth". Due to that, Aoi usually takes a long time in her consultations with the patients, and this causes her to be complained by her colleagues for being too inefficient in her work. Aoi shrugs off the complaints as her goal is to help the patients regain the daily life that they once took for granted.

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Nana and Shota are a newlywed couple and Nana is 15 years older than Shota. Nana works as a designer and Shota works as a gym trainer. They both enjoy mystery. The newlywed couple then move to an apartment and they attend a resident’s meeting there. Nana and Shota become involved in murder cases that take place at the apartment. Residents get murdered one by one. Some residents have a motive, but those suspects have an alibi. Because of this, an arrest has yet to be made.

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Shun Sakuragi works as a salesman for a company in Tokyo. Outside of his work, he enjoys his days with his wife and daughter. Suddenly, Shun Sakuragi is transferred to work in Kagoshima. He is familiar with the city, because he lived there when he was in junior high school. After his transfer, Shun Sakuragi lives alone in Kagoshima and his wife and daughter remain in Tokyo. One day, Shun Sakuragi meets his first love Hana Takeda for the first time in 17 years. She works as a middle school teacher in Kagoshima and her husband works works as first mate on a boat. Because of her husband's job, she is usually lives by herself. Shun Sakuragi and Hana Takeda share happy and bitter memories of their teenage days together. Things become heated, when Hana Takeda decides to visit him late at night. She also hides a secret.

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Police coroner Kuraishi Yoshio and the crime lab team attempt to solve a serial murder case with a killer who seems to kill indiscriminately.

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The Prime Minister's granddaughter is kidnapped. The police are at the mercy of the perpetrator, who leaves no trace. ...... is in turmoil. This is a suspense film about a battle between the Tokyo Metropolitan Police Department and a criminal with brains. The brainy kidnapper is played by Mikami Hiroshi, and the detective pursuing the case is played by Nishijima Hidetoshi.

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A young girl named Kiki must leave her home for a year to begin training in witchcraft. She leaves on her broom, but first says goodbye to her friends and family. Kiki then begins her new life with her trusted cat Jiji.

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Fukuura Koharu works at a child welfare office and plunges into despair overnight. Then she meets Daigo, a private-practice doctor raising his 8-year-old daughter on his own. She resolves to build a happy household, but things don't go as expected.

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A school teacher visits the home of a boy who's been absent from school for a long period of time, unaware of the horrific tragedy which occurred in the boy's household many years ago.

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A male corpse is discovered with a smashed face and burned hands. Strangely, the cause of death is determined to be strangulation. When Detective Kaoru Utsumi attempts to corroborate the victim’s ex-wife’s alibi she discovers the mysterious neighbor and only a few small clues to help her disprove a seemingly "airtight" alibi...

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Jun is a girl whose words have been sealed away so that she cannot hurt anyone with them. But, one day, she is nominated to become an executive member of the "community outreach council." On top of that, Jun is also appointed to play the main lead in their musical...

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Ichijo Zentaro, an inspector who is a trend junkie and loves to use out-of-fashion vocabulary used by high school girls, works together with Yuki Maria, a sharp-tongued inspector who has built up a stellar career at the MPD's first division, to solve a serial murder case.

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Having failed with his business and gone absolutely penniless, Masao (45) divorced with his wife, and is currently leading a hopeless life in Ibaraki. One day, a mysterious high school girl, going by the name Emiko, showed up before Masao. Every now and then, Masao would be toyed around by Emiko, but little by little he started taking a liking to her loveliness. As days went by, Masao started opening up to Emiko – something that he rarely did to others. However, there was just something about Emiko – something that bothered Masao - that wouldn’t go away.

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Newlyweds Nana and Shota move into an apartment. Two situations, different from the drama series, take place: "What if Shota attends the resident's meeting and not Nana?" and "What if exchange murder game doesn't begin?"

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On his wedding day, Ryosuke’s secret—that he’s marrying a man—shocks his family, sparks chaos, and gets even messier when Mizuki’s ex shows up uninvited.

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Momi’s House is a facility to support self-reliance of young people with problems. The facility is run by Yasutoshi (Naoto Ogata) and his wife Megumi (Misato Tanaka). Ayaka (Sara Minami) is a 16-year-old girl. She has refused to go to school for about half a year. Her mother decides to send her to Momi’s House. While staying there, Ayaka begins to change.

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(I will Soar to the Skies in my Wheelchair ) Hasebe Yasuyuki is living his life carelessly alone in his apartment, until one day, he jumps from the top of a building escaping a street gang and injures his spinal cord. And the doctor tells him that he can't walk anymore. His mother, Haruko, hurries to the hospital for her son, however Yasuyuki is on bad terms with her, so he asks her to leave him alone. There he meets an ill kid in the hospital named Ishii Daisuke who is living his life positively, and the store staff Katou Kumi, who always smiles even though she had a sad past. He gains confidence and decides to start his rehabilitation. After Yasuyuki is discharged from the hospital, he starts relying on everybody everywhere, so he falls into despair and starts thinking of committing suicide seeing no future for himself.

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Before going to Tokyo from her hometown of Mishima, Fukushima Prefecture, Kyoko stopped by at Tsuchiyu Onsen and was handed an "old woman's skin." This allowed her transform herself into an old woman, enabling her to find out what's truly in the heart of the man she cares about ...

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Too shy to speak out the word of appreciation, too busy to show that you care... Many excuses lie between each and every couple, when they look back the distance created during the long years in which they took each other for granted... Love Letters sent from husbands to wives and from wives to husbands, quietly voice their unspoken appreciation for each other over the years that they have shared. The original idea comes from the postcard project "Love Letters at Sixty" which has brought a wave of sympathy to the precious emotions shared by many married couples.

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Keisuke, 15-year-old junior-high school boy, has been forced to live as refugees with his family in temporary housing apart from a hometown as a result of the Great East Japan Earthquake.In 2012, he belongs to a broadcasting club of his junior-high, to which he has to be admitted for the earthquake. He spends time with some fellows of a club. But all equipment to make their works of it has been washed away by the tsunami. He decides to give up his filmmaking in this summer, which will be the last time of his junior-high days to make a work.But one day a man who lives in a small village in Heilongjiang, China donates the equipment for filmmaking to Keisuke's school. Also Keisuke, his fellows and his teacher have been invited by him to shoot a film in China. And they are travelling to shoot around the boundless Chinese land.