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Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

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Tram driver Marie has far too much to do after her shift is over. But she likes to do it all since she loves her husband Václav sincerely. One day she spots him on the Lesser Town Square in Prague, kissing an attractive blonde good-bye. It seems to Marie that her small comfortable world has collapsed and she walks out of the tram in tears. But her sadness does not last long. She wipes off the tears and begins to act. She withdraws all the money from their savings books and buys off all the latest models from the Fashion Works. The visit to the beauty salon then completes her transformation into a lady.

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Postman Brabec is a welcome guest of the revue theatre for his sense of humor, and he brings his director Holt letters from female admirers every day. Holt's fans include Brabec's sister Anny. The girl would like to join the theatre, but for the time being works as a maid for the actress Velden. A new revue is being rehearsed, the name of the author is secret. Veldenová will return the role just before the premiere because she doesn't like it. The quick-witted Brabec introduces the director to his sister, who knows all the parts by heart.

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Directed by Friedrich Feher.

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František Procházka was retired early because his soldiers sang a forbidden song about a c. and k. field marshal. Since he is a soldier in body and soul and his request for reactivation is rejected, he decides to visit his nephew Rudi. Upon arrival, he finds the uniform of the secretly expected field marshal in his nephew's room and, after putting it on and walking through the corridors of the garrison in it, he has no choice but to complete the entire play to the end. With his performance, he helps his nephew to get married, convicts the wanted spy and is eventually promoted to the real marshal and called back into service.

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Janosík, a friar retrained as a bandit, becomes the farmers' symbol of resistance and fight against the feudal conditions.

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In 1911, Stáňa Járský was giving music lessons to little Jiřina Horníková and fell passionately in love with his pupil's mother. The evening before he left for his studies, Mrs. Helena succumbed to him. Nine years later, engineer Járský met the grown-up Jiřina in Prague - and love met him again. However, this time he was not lucky either, the girl had to save the family factory with a marriage of convenience. After another nineteen years, CEO Járský returns home after a long stay abroad. His hair is graying, but he is still charming and elegant. How will his meeting with young Helenka, the granddaughter and daughter of his former loves, turn out?

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Oldřich Nový was and will forever remain the embodiment of charm, elegance and personal charm for Czech cinema, to which all women, regardless of age, were subject. In his unforgettable lover roles, he was not only a romantic who was able to fall in love with a girl from an ancient painting, succumb to the chocolate-brown eyes of the minister's girlfriend, but also a seducer for whom infidelity was a regularly practiced sport, or, conversely, a newlywed obsessed with jealousy. This was exactly Viktorin, the main character of a crazy Art Nouveau comedy, where everything revolves around a massive deer antler. Its involuntary owner becomes the jealous Viktorin, and it is certainly not difficult to guess what such a "right" gift can cause.

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It all begins when Zuzanka, the new young owner, arrives at the dilapidated Blue Star Hotel. Determined to put the declining inheritance back on its feet, she starts chasing three young men, including the composer Jirka, who, dressed in a waiter's tailcoat, is to work off his debt to the new owner. Like his two friends, Jirka succumbs to the charms of his new boss and, with some confidence, hopes that he is the one who has the best chance of becoming her chosen one. At that moment, however, a guest arrives, intent on carrying out the family tradition and throwing an engagement party at the Blue Star Hotel, regardless of his condition. This, however, is not to the liking of his wilful fiancée. Fortunately, there is the sympathetic Zuzanka, who charms the unusual guest so much that he resolutely breaks off his engagement to the rich girl and prefers to marry the cute hotelier.

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Young Matula has succumbed to gambling and he steals money from his parents to finance his passion. His father catches him red-handed and throws him out of the house. Matula roams the world and meets Vávra, also a tramp, who accepts a job as a road-sweeper but he soon dies in a car accident. On his lone wanderings Matula finds a miraculous little key which opens all locks. With its help he acquires a great fortune. He breaks into a bank and steals more money. He then meets the daughter of the cashier who was wrongly accused under suspicion of theft and when he sees her despair, he realises his wrong-doings. Finally he wakes up - it had all been a dream. (According to the censor's certificate).

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In Transcarpathia, Prince Laborets wields a divine ring that ensures his land’s peace and prosperity. Ambitious Hungarian Zoltan seizes the ring after defeating Laborets, unleashing centuries of oppression. Generations later, Prince Fedir Koryatovych leads a revolt to reclaim freedom and restore the ring’s legacy.

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A modern fairy tale that takes place in the present.

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The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.