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Finding the body of the regional politician Karas, killed in the spirit of medieval torture and carefully arranged in a strange scene, unleash police hunt for a sadistic perpetrator. He puts investigation team in the way of a complex series of murders that shake the local region and criminologists themselves.

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Dostoevsky’s latter-day opus about the siblings and their father is among the masterpieces of world literature. It asks profound questions about ethics and religion. Is there a God? Does the devil exist? Is everything allowed because we live in a world without morality? And if so, does patricide even constitute a crime? One of the most interesting adaptations of the material is The Karamazovs by Czech director Petr Zelenka. We witness a group of thesps from Prague on a trip to Krakow in Poland to stage the novel as a play in a derelict steelworks as part of the Closer to Life Festival. The project, however, is born under the bad sign, apparently doomed from the start. When they arrive, the roof is about to cave in, so that the actors are told to wear safety helmets. Their sole consistent audience is a laborer (Andrzej Mastalerz) who rather follows each dress rehearsal than watching over his seven-year-old son who has suffered a tragic accident in the factory.

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This fascinating historical drama looks at the life of "the Czech Schindler," Zdenek Toman, a controversial figure who was an unsavory politician and dubious entrepreneur, but also the savior of hundreds of Eastern European Jews.

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The story is based on Operation Stone, during which State Security agents deliberately misled citizens of the Czechoslovak Republic who were attempting to leave the country illegally by creating fake borders and fake border patrols and interrogation teams from American, German, and French authorities. During interrogations, State Security officers convinced detainees that they had actually crossed the state border of our republic and obtained information from unsuspecting people, which was then used in criminal proceedings.

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After World War II, fighter pilot Antonín Maděra returns from England to his native village in the Ore Mountains to forget the hardships and horrors of war and to "live, work, and love his neighbors," as he himself says. But Svatý Štěpán, which his family had to leave in 1939, is no longer the same place it used to be. However, even in his wildest dreams, he could not have imagined what really awaited him there.

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Adam had his life ahead of him; all that was left was to finish his exams and apply to university. To fight off boredom and to feel relaxed and funny, he turned to alcohol. Then came the trouble. Now at a rehabilitation centre for alcoholics, he initially defies the strict regime here. His views of the treatment and himself change only thanks to an empathetic therapist. The inhospitable environment becomes a place of self-reflection on an event that irreversibly changed Adam's life.

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A twisted gay romance set in the 19th Century picturesque Bohemia telling a tabooed true story of birth of one of the nation's most influential writers, starring Julius Feldmeier. Suspense, laughter, violence, hope, heart, nudity, sex and a happy ending—mostly a happy ending.

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The brilliant Czech writer Milan Kundera has not given an interview in thirty years; nor does he appear in public. How did he become a legendary author? What is so unique about his books?

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A classic comedy about long-planned courtship and the fear of getting married once and for all performed by actors from Prague's Divadlo Na Jezerce theater.

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Mr. Laffler is strange. Everyone in the office he runs knows that. The clerk, Costain also knows this, so he is very surprised when his otherwise impersonal boss does something as human as inviting Costain to dinner. But not at home. At home, he says, he does not accept guests. He leads him to an inconspicuous, secluded restaurant U Sbirra, where a very closed company of strange people meet.

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A thriller loosely based on one of the most violent Czech criminal cases of the nineties, popularly known as the Orlík murders. The film delves into the motivation behind the killings, exposing their exceptional cruelty and an absolute absence of moral values. The perpetrators executed four people on their way to achieving material gain. Two of the bodies were found at the bottom of Orlík reservoir, the third perished in a bomb blast, and the forth was shot at home...

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An ordinary man with an ordinary job, ordinary family and ordinary affair has an unordinary day after he signes the Charta 77.

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A fairy tale that tells us that even an "idea" can be worth more than gold. Vašek wants to ask for the princess's hand in marriage. So he pretends to be Grandfather Know-All to get something extraordinary to give her as a gift. Grandfather gives him a non-existent magic fly. Kvido and Jáchym are also competing for the princess's hand. In the end, Vašek wins over both competitors with the help of his idea. However, thanks to the magic fly, he realizes that even a princess may not be true happiness, so he returns to the simple girl Vendulka.

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Viktor Preiss in the role of Father Toufar in a fictional reconstruction of the background to the so-called Čihošť miracle.

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