Overview:

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Overview:

Leo the foreign legionnaire, Wilhelm the priest and Charly the brothel owner are unequal brothers. Wilhelm is determined to have Charly's brothel closed down. When Charly kidnaps Wilhelm to his brothel, he recognizes his brother - and promptly pretends to be him. And then Leo comes along as well.

Overview:

A group of men, addicted to pornography, have a chance to live out their fantasies but find that the reality is far different from what they expect.

Overview:

Kati leaves her hometown - a small provincetown in northwestern Germany - to live in the city of Hamburg. Being about 18 years old she has just finished school and seeks her freedom away from home. She knows she loves women but never dared to live accordingly. In Hamburg she soon finds a lover and a good friend, too, and the strength to face the narrow-minded people at home. After struggling with it for some time she returns for a visit to tell at least her mother and best friend.

Overview:

A candidate in a game show is hunted by three men. He will get a Million DMark, if he survives for a week; the hunters will get the money, if they can kill the candidate. The audience of the show is watching the transmissions of twenty camera teams filming the hunt. The showmaster appeals to the TV-viewers to help either the candidate or the hunters, whomever they want.

Overview:

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Overview:

After rehab, Manfred Burger seems to have got his alcohol addiction under control and is trying to reorganize his life. Although he is now sober, he soon realizes that society cannot cope with his illness: His relationship with his wife Eva is on its last legs and he loses his job. Nobody seems to understand Burger and his illness. As his life continues to go off track, the bottle soon becomes his daily companion again...