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Die Pfefferkörner is a German television series produced by Der Kinderkanal. The peppercorns are five friends from Hamburg: Jana Holstein Coutre, Natasha "Tascha" Jaonzäns, Philip "Fiete" Overbeck, Cem Gülec and Vivien "Vivi" Overbeck, Fiete's eight year old sister. After school, the young detectives meet at a high level of a spice warehouse of the company Overbeck & Associates, which belongs to Fiete and Vivi's parents in the first part, but is later given to Fiete and Vivi to look after. Here, in the historic warehouse district, the five friends have their headquarters. With smarts, combined delivery and support of the Internet, they find their cases here. The detectives convict polluters, animal dealers and drug smugglers. They also help each other with personal problems they encounter. Cem has lost his parents in a car accident and sometimes feels sad and lonely. Jana lives with her divorcee mother, a lawyer who is rarely at home. Natasha comes from Latvia. Her parents initially have very strict rules in terms of her education, that make Natasha unhappy. Fiete has problems showing his feelings and hides them behind grumpiness and hostility towards girls, until he falls in love with Natasha. Vivi is suffering from her role of the youngest member of the group. She believes that she must constantly struggle for recognition.

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SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

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Şehnaz, a young female psychiatrist from Istanbul, starts mandatory duty in a provincial town. Back in the city, she maintains a marriage that looks flawless on the outside. Elmas, a young woman on the verge of breakdown, opens a new path in her.

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An African-German Author loses his memory and is used by a modern National Socialist Party as promotion-figure for more political power over Germany.

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At first glance, Leyla and Tristan are a happy couple. When they travel to a mysterious island, a game of identities begins that changes everything – their perception, their sexuality, their entire selves. But not only their relationship threatens to break up. They may even never be who they used to be again…

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It's summer and very hot in Germany's only open-air swimming pool for women. There, women bathe topless, in a bikini, bathing suit or burkini. Each follows different rules. This always leads to friction, which the overwhelmed lifeguard is not quite able to control. When a group of completely veiled women enthusiastically discovers the women's bath for themselves, rags literally fly: Who owns the bath and who makes the rules? Who owns the female body? And when is a woman a woman at all? The lifeguard resigns, exasperated. But when a man of all people is hired as the successor as lifeguard, the situation escalates in unpredictable directions.

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Gölge, which means “shadow” in Turkish, is the name of a teenage girl. Gölge is the daughter of Turkish immigrants and belongs to the so-called “second generation” at the end of the 1970s. She lives with her younger sister and her parents in a small two-room apartment in Berlin-Kreuzberg.

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Esra leads two parallel lives. In her daily life the vivacious and spirited Esra adores her family but feels caged in her relationships. In her dream life, she yearns to discover the identity of the man who visits her dreams. While in waking life she struggles in vain, in her dream life she evolves in secret. But what if waking and dreaming were never separate and the real secret is shored by all?

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Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

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Janus has just left a psychiatric hospital after a suicide attempt. His only reason to live has been letters from his high school friend Amina. When the letters suddenly stop, Janus is sure that something terrible has happened to her. To make sure she is alright, he sets out to find her.

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Swastikas were scratched into the windows of the University of Stuttgart and have caused considerable property damage. Far-right vandalism? The case is quickly closed, but the young Commissioner Bernau wants to enlighten the mysterious attack. He returns at night back to the crime scene and has an appearance that make his blood freeze! When he turns to the medium Morgana, he lifts the veil on a cruel mystery.

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A year ago, her beloved Nico was run over by a truck. The shock of death caused sommelier Anne to lose her sense of smell and taste. Now she receives a letter from Holland: the annual rent for the eggs she fertilized twelve years ago is due! A baby as a legacy - and a new start, not only Anne thinks, but also her colleague Conny. Only Hilde, an ex-policeman with two sons, thinks motherhood at almost 50 is a crazy idea. Despite her reservations, she takes them to the fertility clinic in Amsterdam.

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Cem Balta, an aspiring imam, lives in Hanover with his wife Sehra and daughter Hanna. For the family, German culture is just as much a part of their lives as Turkish culture. At least that's what they thought until now. But when they take in Pia, the child of a friend, after a tragedy, they suddenly find themselves confronted with old prejudices. Even in their immediate environment, their decision to raise Pia causes heated discussions. And soon Pia's grandparents Christine and Theo Unger, who do not want their granddaughter to grow up with strangers and certainly not with practicing Muslims, also get involved. A custody battle ensues, which suddenly becomes about values such as faith, family and home...

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Berlin’s notorious Neukoelln district. The near future. A time in which the health system has collapsed. A man works in the shadows and without license as a doctor. He has no practice, no appointments system. He treats people in the courtyards and streets – everywhere he’s needed, stealing medicine from pharmacies. Nobody knows his name or that by day he’s the caretaker of a shabby tenement building. He pushes boundaries and suffers defeats that cost him the last of his strength. Forced to adopt the role of a shadow, an outlaw, he is confronted with the question as to whether he really is a doctor.

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Why has the German film and television industry so far not found a natural way of dealing with people with a migration background? The documentary "Kino Kanak" begins a complex search for traces.

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Richard lives apart from his wife. He is unemployed. His life is really not running smoothly right now. Rather by chance, he gets into conversation with the director of his daughter's school, who is desperately looking for teachers - which gives Richard an idea. He is a mathematician. And after all, everyone can become a teacher!

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During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

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25 years ago, Cornelius left his then girlfriend Julia to live with Frank. After Julia fled to the USA at the time, she is now returning and wants to live in the former common house, which puts the relationship between Cornelius and Frank to the test.

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Luks Glück is a tragicomedy about the dubious happiness of a Turkish family between Hamburg and Istanbul, whose life by a lottery win out of joint.

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Short film about a visit gone wrong.