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Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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The end of a summer, a sleepy fishing port on the Baltic Sea and the beginning of a great feeling that must not be: Shortly before the start of the new school year, the 18-year-old Christian falls in love with his new English teacher Stella Petersen. In a moment of unexpected lightness and freedom, in the dunes and seascape far away from the small town, Stella and Christian discover a shared longing and an attraction to each other, the intensity of which both overwhelmed. But soon after class has begun again, the secret relationship between the young teacher and her pupil threatens the scandal ...

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A politically sensitive murder forces two disparate detectives into a battle with the Berlin underworld and a confrontation with their own corruption.

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The monkey child Akiko lives in the zoo, but his family sends him on a big mission: he is supposed to go out into the world and get his relatives out of the forest. Together they want to free the animals from the zoo

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When lovelorn Michael arrives in Berlin to return a set of keys to his ex-girlfriend, Gabi, as an excuse to see her again, he finds her apartment empty save for a couple of plumbers making repairs to the central heating. Just as Michael learns from the plumber’s apprentice, Harper, that Gabi has popped out for a while but will return soon, the apprentice is attacked by his boss who has unexpectedly and inexplicably transformed into a raging madman. Together, Michael and Harper manage to bundle the crazed plumber out of the apartment and barricade themselves safely inside. Within minutes, they find themselves trapped in apartment block under siege from a horde of similarly insane people, apparently hungry for human flesh.

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Rebecca is undecided about what her future life should look like. On the one hand, she is on the path to becoming a teacher, and on the other hand, she doesn't let go of her passion for making films

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Three former classmates reunite for their 30-year high school reunion.

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The worn-out ex-journalist Ralph has to work as a substitute teacher at an evening school and in the end learns more than his protegees.

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After a Jewish boy was harassed by his classmates for months, an argument breaks out between the overwhelmed parents, the class teacher and the school management.

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Elli works as a techno DJ and loves electronic music. She has a daughter named Toni, who mostly grows up with her father. The 9-year-old girl is only with her on weekends. They have planned a mother-daughter weekend, but suddenly Elli is offered an important gig at an electronic music festival. Finally playing in front of a big audience again, feeling the ecstasy and intoxication of the night. Through the music she escapes the stagnation, the desolation, the role model of the conventional mother and the narrowness of the provincial town. Torn between maternal missing her and asserting herself in her life, Elli tries to be there for Toni and at the same time to live her dreams without restrictions.

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In this award-winning musical drama-comedy from Germany Fritzi (Julia Zimth) wants to catch her husband’s drug dealer. She needs money for a private rehab: for the in-patient detoxification of her addicted husband. The drug dealer, a small fish who wants to get out of drug trafficking himself, needs money to support his sick father in a nursing home. Together they hatch a plan to screw the “big boss” played by Leif Evers and get hold of some money. For Fritzi, the most exciting 24 hours of her life begin, during which she witnesses a murder, falls in love, gains great insights and at the end has to decide, with a bag full of cash, whether she really wants to save her husband? And this after everyone has sung their way through the big question, whether love is enough to save someone?

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Confronted with her dementia, old, stubborn Mrs. Fleischer stops eating - she wants to die on her own terms. Caregiver Alexandra is tasked and determined to make her eat. With creativity and great bellicosity, these not so dissimilar women challenge each other. Deliberately provocative, mischievously amused, but also with an increasing sense of understanding for each other's struggles, they grow closer...

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