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The Life and Legend of Wyatt Earp is a television western series loosely based on the life of frontier marshal Wyatt Earp. The half-hour black-and-white program aired for 229 episodes on ABC from 1955 to 1961 and featured Hugh O'Brian in the title role.

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The Rifleman is an American Western television program starring Chuck Connors as rancher Lucas McCain and Johnny Crawford as his son, Mark McCain. It was set in the 1880s in the town of North Fork, New Mexico Territory. The show was filmed in black-and-white, half-hour episodes. "The Rifleman" aired on ABC from September 30, 1958 to April 8, 1963 as a production of Four Star Television. It was one of the first prime time series to have a widowed parent raise a child.

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Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore "The Beaver" Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

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Have Gun – Will Travel is an American Western television series that aired on CBS from 1957 through 1963. It was rated number three or number four in the Nielsen ratings every year of its first four seasons. It was one of the few television shows to spawn a successful radio version. The radio series debuted November 23, 1958. The television show is presently shown on the Encore-Western channel. Have Gun – Will Travel was created by Sam Rolfe and Herb Meadow and produced by Frank Pierson, Don Ingalls, Robert Sparks, and Julian Claman. There were 225 episodes of the TV series, 24 written by Gene Roddenberry. Other contributors included Bruce Geller, Harry Julian Fink, Don Brinkley and Irving Wallace. Andrew McLaglen directed 101 episodes and 19 were directed by series star Richard Boone.

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Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

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Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

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Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

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Navy Log is an American drama anthology series that initially aired for one season on CBS. It relates the greatest survival war stories in the history of the United States Navy. This series premiered on September 20, 1955, but the following year, it was moved to ABC, where it aired until September 25, 1958. The program aired for a total of three seasons and 102 episodes.

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Westinghouse Desilu Playhouse is an American television anthology series produced by Desilu Productions. The show ran on CBS television between 1958 and 1960. Two of its 48 episodes served as pilots for the 1950s television series The Twilight Zone and The Untouchables.

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Riverboat is a 44-episode western television series starring Darren McGavin and Burt Reynolds broadcast on the NBC television network from September 13, 1959 until January 2, 1961. It was produced by Revue Studios.

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Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

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Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

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Story about two boys who want ponies for Christmas but their family can only afford one. The horse owner, who is bitter about the loss of his son in the war, is softened by the boys' sacrifice for each other.

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This is a story based on fact that follows a husband and wife who emigrate from Scotland to Wisconsin in the 1850s. They work very hard and become welcome citizens of their new town, Eureka. They have six children. They prosper in the husband's boat-building business. But when their eldest is 12, tragedy strikes the family, and the 12-year-old is burdened with a terrible task which he handles as well as any adult could.

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Anne and "Poppy" Rose have three quirky kids. Anne has a generous heart and the belief in the innocence of children. To the unhappy surprise of her husband she takes in the orphan Jane, a problem child who already tried to kill herself once.

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A general-store keeper scares off bank robbers with a lucky shot, but they come back.

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Notorious outlaw Clay Anderson and gang rob the town bank and flee in separate directions. Riding hard, Clay's horse goes lame and he is forced to pull-up at a nearby farm. He soon discovers that the place belongs to local preacher Hollis Jarret, his new wife, and a son from a previous marriage. Clay, posing as a weary traveler, tries to insinuate himself into a secure hideout, but the reverend isn't fooled. He agrees to allow Clay to remain at the farm for a few days, but his motive isn't the preservation of his family's safety. Hollis reasons that, with time, patience and a lot of faith, he can convince the outlaw to turn over a new leaf. But Clay's criminal tendencies may run deeper than the preacher had imagined