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Driving home late one night, two brothers, Jaggi and Daljeet run over an old man. They put the body back in his house, but when people suspect, the brothers' lives fall apart. They realise they can trust no one. Not even each other.

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A man falls in love with his childhood friend, but her sister is the one who reciprocates his feelings.

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Vicky (Akshay Kumar) is an aspiring singer who is devoted to his true love, Anjali (Amisha Patel). He gets a big offer from a music company in Canada and accepts it. In Canada, he meets the owner of the company, Natasha (Karisma Kapoor). Natasha helps Vicky become a star, however, Vicky is unaware of Natasha's hidden motives. Natasha knew Vicky in college and harboured a deep infatuation for him. Natasha's father had warned her that her love for Vicky can never be, as Vicky loved Anjali, but she refused to listen. When Natasha's father died in a car accident, Natasha, with no one else to love, put all her love and devotion on Vicky aside, and has been alone ever since.

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Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.

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Bollywood film about the famous courtesan of the title. Aishwarya Rai stars in the lead role. The film is directed by J.P. Dutta and also stars Shabana Azmi, Sunil Shetty, Abhishek Bachchan, Divya Dutta, Himani Shivpuri and Kulbhushan Kharbanda. A remake of the original directed by Muzaffar Ali and released in 1981.

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Chandra Mukhi is an angel who lands on earth in search of her magic wand. She must get it before a devil named Dhola lays his hands on it.

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After her sister is brutally murdered, bubbly younger sibling Mahek (Tanisha) withdraws from her friends and family into a protective shell. The only boy she's remotely drawn to is a college student who's much like Mahek is now -- shy and introverted. Things seem to be proceeding smoothly between the two, until one day when Mahek is attacked by a man in a joker's mask who seems intent on murdering her.

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Childhood friends became enemies when one Mahendra Ashwini Kumar grows up to be Additional Police Commissioner and the other Raj Pratap Singhal becomes a smuggler.

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'Page 3' takes a behind-the-scenes look at the lifestyles of the A-list celebrities in metro cities. It explores the networking and the power play between the air-kissing

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Dr. Vijay performs a ground breaking surgical operation when he transplants the brain of a slain police officer on the brain-dead body of his to-be bride in order to avenge the death of the police officer.

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Phool is a 1993 Bollywood film directed by Singeetam Srinivasa Rao starring Kumar Gaurav and Madhuri Dixit in lead roles along with Sunil Dutt and Rajendra Kumar in supporting roles.

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Well known for his believes in fairness, justice, and fair play, Raja Prithviraj holds sway over a large rural territory in India. His word is the law, and no one would dare to cross swords with him. Prithviraj lives with his only daughter, Tejeshwani, in their exclusive palace. Years later, Tejeshwani has now grown up, attends college, on occasion with her pet cheetah, meets with handsome young fellow collegian, and after several misunderstandings and confrontations, both fall in love with each other. When Prithviraj comes to know of Arjun, he invites him to his palace, insults him, and asks him never to see Tejeshwani again. Watch what Arjun and Tejeshwani do to change her father's mind, knowing fully well that no one in their community will stand up against the Raja.

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The film starts with the earliest form of cinema and how Shama Zaidi became an integral part of the evolution of Indian Cinema.