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Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.

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A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

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Álvaro and Maria do Carmo lived happily in Angola. He was a successful businessman and she was a mild mannered housewife. They have two children together, Ana and João, who were studying and living their teenage years in Luanda... Until the day the civil war broke out and everything fell apart. Amidst declarations of independence, a wave of violence breaks out and the established peace and order fades away. In July, 1975, the Mendonça family, along with over five hundred thousand people, leave their belongings behind and embark on an air convoy that would become the biggest exodus in the history of the Portuguese people to a homeland that most only knew from photos and dubbed it Metropolis. In Lisbon, Joaquim and Natália, Álvaro’s brother-in-law and sister, take the Mendonça family in their small apartment, where they will try to get their lives back in order. However, over that hot summer of 1975, the integration seemed to be far from easy.

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Sara is a portuguese actress who only works in film and is known for her ability to cry on cue. But one day her eyes dry up just like her interest in cinema. The solution? Soap operas.

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Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

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Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

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The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

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Overwhelmed by the melancholy of departure, Tom spends his last day in Lisbon driving his cherished old car, Stella, through its old and changing streets. Confined within its familiar interior, he bids farewell to friends, lovers, and the possessions that made the city his home. As evening falls, he meets Custódio, the prospective buyer who, like Tom, sees Stella as much more than just a car.

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Antonio decides to break free of his mundane existence and rents a silver convertible to take his wife on a dream vacation. Everything seems perfect. Except he doesn't know the way.

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Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

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1986, just 12 years after the Carnation Revolution. The Left Wing is divided, while the Right seems on track for an easy win, which will give them both a President and a Government. The only one capable of stopping this victory is a man who fought his whole life against Estado Novo. Arrested dozens of time, deported and exiled, he was one of the first to arrive in Lisbon after April 25st. That man is Mário Soares.

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With no career expectations, a temperamental young woman gave in to a job as a maid in a hotel. Makes the beds, replaces the towels, replaces the soaps. One day she discovers a suitcase left behind by a whimsical French tourist, inside which she finds a lime green canary, a natural yogurt and a five hundred euro envelope.

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The economic crisis, a teddy bear with suicidal tendencies named Judy Garland, the Discovery Channel, a black panther and the Russian playwright Anton Tchekhov are all part of the heroic adventure of a little girl who has a problem to solve.

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Mozambique, 1969. What was meant to be a peaceful Christmas Eve ends up badly as a group of soldiers brings home a prisoner that will be murdered. Simultaneously, the Capitan's wife arrives in surprise, bringing along a Priest, who is supposed to celebrate the mass.

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Humberto hanged himself. Catarina, Paulo and Victor want the company where Humberto used to work for to take responsibility in his death, leading them to kidnappe the company’s director in an act of despair. Who is Humberto? What company is that? In which paths will he take us, after his death? Cinerama is an edgy, enigmatic, but not distant film that brings up genres of cinema as well as other forms of art like dance, theatre and poetry. The film reflects ways of being in life.

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A boy in Lisbon, in this Lisbon in permanent renovation.

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An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

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A mockumentary with an actual documentary inside, tells the unusual story of Artist António André's (Triple A). With Arcos de Valdevez, a portuguese northern village, as background, it questions the relevance of art in our time.