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A masked serial killer with psychosexual issues strangles female coeds with scarves before dismembering them. When a wealthy student identifies one of the scarves and thinks she has a lead on a suspect, she becomes the killer's next target, retreating to her family's remote cliffside villa with three of her girlfriends.

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In his first collaboration with renowned screenwriter and longtime partner Cesare Zavattini, Vittorio De Sica examines the cataclysmic consequences of adult folly on an innocent child. Heralding the pair’s subsequent work on some of the masterpieces of Italian neorealism, The Children Are Watching Us is a vivid, deeply humane portrait of a family’s disintegration.

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A young student of an upper-class background who is surrounded by classmates that are of working-class backgrounds, after a novel in diary format by Enrico Bottini.

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Heidi leaves her beloved Alm and moves to Frankfurt, where she finds a new good friend in Clara. Aunt Dete wants Heidi to leave her grandfather on the mountain pasture and go with her to Frankfurt, where she is supposed to live with the Sesemann family and keep their paralyzed daughter Clara company. In this way, Heidi would enjoy an excellent upbringing and grow up with one of the richest families in Frankfurt. Aunt Dete sees a bright future for Heidi in the city. However, this idea is not met with enthusiasm by Heidi and her grandfather, Peter and his grandmother are also very reluctant to let Heidi go. After much persuasion and many promises from Aunt Dete, Heidi finally leaves her beloved mountain world with a heavy heart and travels to Frankfurt.

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A satire of modern society or perhaps just a funny tale for children, depending on your age, mood or liking. Recounting the adventures of the last in a line of Supermen, the film pokes fun at the processes that lie behind advertising, politics and our consumer society.

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Madonna Violante goes to Rome to find the three Armida daughters, Lorenza and Vanna, who she has not seen for many years; but first she stops by her friend Antonia from whom he learned many unseemly things about them.

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Marco and his son Toto work in a Venetian gondola yard and maintain the old traditions of gondoliers. When a newly-arrived businessman decides he wants to buy the yard and demolish it, Marco and company want to fight to preserve their way of life. The businessman, however, knows Marco is badly in debt and uses this to try to leverage Marco out of business. Can tradition win out in the face of naked commercialism?

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Remigio, a young foundling, lives on the farm run by his impoverished foster parents and then is sold to an old musician.