Overview:

A comedy about the love of the Czech nobleman Záviš of Falkenštejn for the Hungarian princess Kunhuta, who later married Přemysl Otakar II and became the Czech queen.

Overview:

This historical film by Hynek Bočan touches upon the indecisiveness of the Czech nation, ready to bend the backbone in face of foreign rule. Situating the story at the close of the Thirty Year War enabled the depiction of the misery of the people that affects even an impoverished aristocratic milieu. Rudolf Hrušínský appears here in the role of an indecisive knight, persuaded for a long time and in vain to join the anti-Habsburg movement. The story does not only captivate through the depiction of manifold human characters, intrigues and sycophancy, but also through the circumstances ruling over the devastated farmstead, sunk in mud and crudeness. One of the best films with an updating tendency has come into being here, rightly being named along the such greats as Kladivo na čarodějnice (Witches' Hammer).

Overview:

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land. It seems to work at first, the prince is enchanted with her lovely appearance. But the memory of a foreign princess still haunts him: The one who found him on the beach where the mermaid had left him, and whom he (of course) believes to be his saviour. To resolve this mistake is too much for the mute little mermaid, and not even her father, king of all seas, can help her in the impending catastrophe.

Overview:

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.