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1961 Japanese movie

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During the 1200's, legendary Buddhist monk Nichiren returns from his studies to lead Japan out of moral crisis and prepare to fight Mongol invaders by creating a new form of Buddhism. He runs afoul of the existing Buddhist sects and their government supporters and is persecuted. Can Nichiren persevere before the Mongol fleet reaches Japanese shores?

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An Indian prince leaves his world of comfort and riches behind to wander and meditate for six years in search of spiritual enlightenment. Siddartha (Cojoin Hong) turns his back on the old religion when people are starving needlessly and holy rituals include human sacrifices. During his meditations, he is tempted by erotic dancing women, demons, and the evil machinations of his criminal cousin. Devastate to attain the spiritual perfection and become the Buddha. He travels to convert followers by his kindness and wisdom, gaining a multitude of believers when he stops an elephant from crushing a local priest. Buddha of course goes on to become one of the great religious leaders of the world.

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The inventor of a ground-breaking glue, Sanada, becomes rich thanks to his discovery a high executive in his company. Because of this promotion, his world is changing completely : his wife behaves like never before, considering she's now rich and has the right to do whatever she wants, even having an affair. (Also occasionally known in English as “Overflow”)

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The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. The last story is about a widowed geisha who has no real financial worries and who falls in love with a forger.

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Ayako Wakao portrays a downtown rice ball shop girl whose heart is set on her business. Involved in her life are three young men—stage actor Goro, businessman Kokichi and Sanpei Pachinko.

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The story revolves around a young man appointed to rescue a troubled hospital who must choose between two women, a dedicated nurse or a spoiled rich girl.

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Three stories about the relationship between men and women: "Playgirl" (Masumura/Shirasaka), "Company No. 2" (Yoshimura/Kasahara), and "San Nyotai" (Kinugasa/Shindô).

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A woman has to give up her dream of becoming an actress when her family goes into debt, but she catches the eye of a businessman while working at a nightclub. He sets her up with her own nightclub, but with expectations attached.

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Heitaro, who had served his firm loyally for 30 years, reaches the retirement age. He has four unmarried daughters and decides to split his retirement allowance he has received from his firm into 500,000 yen for each daughter as a wedding dowry. He considers them all old enough to handle the money, and gives them a free hand to use it as they wish.

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1961 Japanese movie

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The cunning detective Akeichi must foil a kidnapping plot orchestrated by the notorious jewel thief known as Black Lizard.

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In 221 BC, Qin Shihuangdi conquered the rest of China. Qin's great accomplishments and also his serious faults are showed in this film. Qin adopted autocratic dictatorship and led a luxurious life: abolition of feudalism and the centralization of power in the form of a now-hereditary bureaucracy loyal to himself; burning books and burying scholars; the construction of a sumptuous palace for his concubines and also the Great Wall.

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Yamazaki Ryotaro is an Olympics' athlete and an asset. He accepts two jobs and responsibilities that are thrust upon him. One involves a a painting and an advertising poster. The other is about coaching the hockey team. Simultaneously, however, he is head over heels for three gals, one is a hairdresser, one is a fashion model and of course the third is part of the cheering squad for the hockey team.

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Japanese "kayo" film centered around the song "Dare yori mo kimi wo aisu" by Kazuko Matsuo.

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A beautiful older sister and her younger brother, both designers who paint the dreams of young hope, are paired with an innocent young artist and the daughter of a company president, creating a miniature picture of the youth of Tokyo that revolves around these four characters.

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Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.

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Aya successfully stages a fashion show in Osaka and in the train on her way home to Tokyo accidentally treads on a man's foot. The man whose name is Rentaro is not amused. Just afterwards she notices that he is reading a magazine which carries her picture which he crushes and throws under his seat. One of her customers in Tokyo is a pretty girl named Kana for whom she had designed a dress which at first seems quite satisfactory. But a few days later Kana brings it back. It seems her brother thinks it terrible. But when Kana brings the dress back she meets Aya's brother, Takeshi, with whom she becomes friendly and Takeshi gives her a new dress which he smuggles out of his sister's office. When Aya finds Kana's discarded dress and misses one belonging to another customer she goes to see Kana's brother, and to her surprise finds him to be the fellow whose foot she'd stepped upon in the train...

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1961 Japanese movie

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A middle-aged husband of a younger woman finds her youth intimidating to the point that he cannot become aroused. His solution involves the introduction of his daughter's lover to his wife.

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Based on the famous novel by Junichiro Tanizaki, this is a story of the four sisters of the ancient and reputable Makioka family of Osaka.

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Shikiko Oba is nimble with her fingers and teaches dressmaking and designing. Among her pupils are Rinko, Katsumi and Tomie. Ginshiro, who is as shrewd as the shrewdest of the older generation of dyed-in-the-wool Osaka businessmen, steps into picture and Shikiko soon feels that he is indispensable to her. But the advent of a man in their midst breaks up the harmony that has existed among the four women, as gradually he forces himself on them with promises of love.

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1962 Japanese movie

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One of many adaptations of "Onna no isshō", this time by Yasuzo Masumura as a starring vehicle for famed actress Machiko Kyo.